Bonnie Gail Carter and Her Debut Book of Poetry, The Chill Turned Warm

My author interview with Geri. G. Taylor on her Blog: The Delete Key

The Delete Key

Hi everyone, I’d like to introduce Bonnie Gail Carter, and her debut book of poetry, The Chill Turned Warm. The title comes from one of her poems in the book.

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I’ve asked her to provide some information about herself, her poetry, and her inspirations to share with my readers.

Bonnie Gail Carter:

I was born in Bay City, Michigan in 1954. That makes me sixty years old. My parents got divorced when I was around five years old. I lived in Bay City and Saginaw, Michigan until I was 15 years old then I moved to Lafayette, Indiana where I lived until 2 years ago. My residence is in Peru, Indiana now. I graduated from William Henry Harrison High School in 1972. I have two years of College at Purdue University in West Lafayette, Indiana where I studied Sociology and Psychology.

Some of my poems are about intense subjects like divorce, alcoholism, when…

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Lindbergs Books: Beyond Belief

YORK TIMES BESTSELLER LISTS
GARY | JANUARY 11, 2015 | 1 COMMENT

Do You Trust the New York TimesBestseller List?

The various NYT Bestseller lists appear almost everywhere. But just how trustworthy are they? And why should you rely on them for your book buying decisions?

These lists date back to 1931, and by 1950 the Times list had become the leading bestseller list for book professionals to monitor. In the 60s and 70s, mall-based chain bookstores like B. Dalton, Crown, and Waldenbooks emerged with an emphasis on selling books with mass-market appeal. This, of course, put even more emphasis on the NYT list, as it helped create demand.

The list is actually composed by the editors of the News Surveys department of theNew York Times, not the Book Review department as you might expect. It is a surprisingly narrow view of book sales, and not entirely objective or data-driven. The list depends heavily on sales figures voluntarily reported but not verified by book retailers AND book wholesalers. Until recently, the NYT did not have a list for Ebooks, or even trade paperbacks, and has been slow to embrace new technologies, formats and marketing channels.

Are the primary NYT fiction and non-fiction lists accurate? Well, no one really knows for sure, because the method for determining the placement of books on the list is considered a “trade secret”, thus is not verifiable by outside sources. A report in Book History found that numerous professionals in the industry “scoffed at the notion that the lists are accurate.” The author of The Exorcist, Peter Blatty, sued the NYT for not including his book Legion on the fiction bestseller list despite its high sales. The Times argued that the list was not mathematically objective, but rather editorial content protected as free speech (in other words, opinion) and thus .

The basic issues undermining credibility of the basic fiction and non-fiction lists are these:

      • EXCLUSION OF EBOOKS AND ONLINE SALES. The main lists only include booksellers but exclude Ebooks and online sales—hardly an accurate picture of which books are bestsellers in an age of declining store sales and escalating online purchases. My novel The Shekinah Legacy was the #1 bestselling thriller on Amazon in 2012—outselling ALL the NYT bestselling thrillers for a time—but the New York Times never heard of it.
      • DOUBLE COUNTING. Including data from both wholesalers and retailers probably leads to some double counting of sales.
      • RETURNS. Booksellers are allowed to return unsold books to the publishers for a refund. Unfortunately, “returns” can can account for 40% or more of sales, the term “bestseller” should probably be changed to something like “best-ordered”.
      • FAST-SELLERS. The lists focus on “fast sellers” — those that sell a lot of copies in a short time. There are many instances of books that have never made the NYT lists but have outsold books on the NYT Bestseller lists because they were steady sellers over longer periods of time.
      • RIGGING BY PUBLISHERS. It is relatively easy for authors and publishers to rig the rankings by buying large quantities of a book in stores that are tracked. The authors of the business book The Discipline of Market Leaders organized the purchase of 10,000 books and wound up on the NYT Bestseller non-fiction list for fifteen weeks. Even one of the suppliers of data to the NYT,ResultSource, has offered “bestseller campaigns” in which it coordinates bulk book purchases to drive bestseller status. The Los Angeles Times reported that Pastor Mark Driscoll paid ResultSource $200,000 for a “bestseller campaign” the week of January 2, 2012, for his book Real Marriage; he wound up #1 on the non-fiction list three weeks later.
      • MANUPULATION BY RETAILERS AND WHOLESALERS. Because the data reported by retailers and wholesalers is voluntary and unverified, it can be distorted. In past cases, books have become bestsellers before they have been officially released to the public! Go figure.
      • SELF-FULFILLING RESULTS. Because the NYT lists are heavily relied upon for buying decisions, simply making it onto the list virtually guarantees a place on the list. This incentive can mean the cost of a “bestseller campaign” may be a good investment if you can afford it.

Makes you wonder, doesn’t it? Close to 99% of the books published this year are not even eligible to make any of the New York Times bestseller lists no matter how many copies they sell because their sales data is unavailable to the NYT. And the relatively new Ebook bestseller lists, which rely on data from ResultSource(which offers “bestseller campaigns” to publishers) is based on data from less than 5% of Ebook sales and which is derived from only a handful of large publishers. Not exactly statistically significant or reliable.

Maybe this makes you want to explore some of the “other” books released each month, many of which are just as good as the NYT bestsellers, and some of which are selling even more copies!

I wish there was an app for that.

A POEM FROM THE FUTURE

Editor’s note: This poem kicks off a new “Question Worth Asking” series: “How weird will the future be?” First up: a piece from poet and TED Fellow Ben Burke.

[Dear Helen- So sorry. Didn’t have time to write that poem. But my future self sent me one yesterday. So we’re good. Crazy, right? It’s totally legit and actually from the future, so no need to double-check, you’re probably too busy anyway. Also included is the typewritten note that was taped to the package. Happy New Year!  – Ben Burke]

Edited_RECORDER

Audio Player

THE TRANSHUMANIST’S LAMENT
or
TOO MANY RIVERS, NOT ENOUGH LAKES
or
OH, FUTURE — YOU SO CRAZY

I arrived in the basket that was weaved here before me
And I stayed in any place with a roof that would store me
I have lots of belongings
But didn’t pack for the trip
I got here, they put pants on me
And then the world gave me the slip

I’ve lived as slowly as I could
Because there was no time to waste
But then things just got so weird
That I just had to grab your ear
And give the tongue inside your mind a little taste:

For example:

The wallpaper can see that you’re stressed,
So it turns a lovely shade of blue
The thermostat has thought things over
And is ready to have a word with you

And your closet picked out your outfit
for the party Friday night
Whilst the blender and the toaster
made vindaloo by candlelight

And Doctor mailman robot
Printed your pills in quite a hurry
Your vitamins were running low
Now there’s B12 in your curry

But your personality algorithm
was accidentally miswritten
You forgot your fingernails were all encoded
and you bit them

Now the discs of your thumbnails
are gangrene, corrupted
The chip that was slipped
twixt each digit erupted

Your sensors and servos
Implants and additions
All bent towards a personal program of precision

Your body’s expanded
Your spirit is failing
The row boat got a motor but wants to be sailing

Yes every Thing now is thinking
We are each our own king
But there’s no kingdom here to speak of
It’s a pot luck, but we’ve nothing to bring

For the air now is as thick as the sea
With every thing we created, each idea we have dreamed

Yes we screamed and filled the skies with drones and clones of drones
Now they’re crashing on our couches as they move into our homes
And taking in some old stray nanobots
Now the drones have a family
Now the drones have a dog
There’s so many drones, we all miss having cops

Yes life never stops, there’s no room to start over
Though we have deftly fashioned countless walls
Every thing that you want or you need or just hoped for
Is always round the corner, and just down the hall

We are tubes inside of tubes inside of tubes inside of more
We are a sinking ship that’s filled with valves, and pouches, switches, doors

A whirling servo for your heart-
It no longer beats, it hums
Every poem will be disposed of that once compared our hearts to drums

We are a hurricane that just built a fountain
A pile of rocks with an eye for the mountain
But keep your ears to the ground for the counting
For the number of hooves that are rumbling round it
Numb to the sound of the sirens surrounding

For we will stretch ourselves further
Than we ever have before
And one day, there’s no doubt, we will snap

With our nose to the grindstone
of progress
We’ll all make our way
to the top, then collapse

For though we’ve imagined where it is we’re all headed-
We do not yet know where we stand
The future can’t hold for us a promise, my friend
It’s a ghost with a pair of clouds for hands

Yes the future isn’t waiting there for us-
It is quietly being pulled through us
It’s an illustration of our secret ways
and yet we cannot say who drew us

For as soon as the word is pronounced
There’s a parade!
The new product arrives!
In your ear
On your finger
Up your nose
And
In your eyes

Yes we’ve figured out a way to make you all feel MORE alive
(side effects may include
shortness of breath
thoughts of suicide or death
but most likely just
anxiety
and hives)

You’ll be a walking coral reef
You’ll be the tide pools filled with teeth
You’ll be a mouth that’s always chewing
You’ll be a tongue that’s underneath it all
You’ll be the roof, the ceiling, and all the papered walls

You’ll be prefixed
With endo
And intra
And supra

As they watch you
And poke you
And cut you
And shoot ya

Let us mend every seam with some sutures
Let them sew up the holes in your life with the future

But who are we inside of this thing that we’ve built?
We’re a bowl full of milk that’s about to be spilt

For there is always a storm that is coming
The word on the tip of all tongues now is fear
We’d all love to cry out, but we’re too filled with doubt
That’s no diamond, my friend, it’s a tear

That’s no animal, in fact-
No we’ve all just learned
each of them is a sentient being
Why there’s so many facts
That are all in the past
It’s unbelievable- the things that we weren’t seeing

It turns out that Reiki is real
And meditation’s no longer a joke
We’ve all been such fools, but now we teach it in the schools
And yes the hippies are all pretty stoked

And the universe, it just so happens,
Is just the way Tesla found it-
It’s all about frequencies… and vibrations….. and things
We just had to wrap our little heads around it

Yes, we still don’t like the unknown
We need to have things defined
We want our world to make sense
We like it when nature rhymes

Even if only slightly
Even if we must bend
What we see and we hear to fit the means to our end

We all just spend our lives
Trying to overcome our births
Trying to get along with Death
And then untie ourselves from Earth

Now we vacation on the moon
And yes, we’ve flown beyond the stars
And can you guess where I just sent this from?
I’ll give you a hint- It’s Mars

Now we can grow your bones for you
And buildings build themselves, for free
But there’s still work for you to do:
You must remember how to be-

Just like the ocean when it’s thinking
Just be that storm that’s always brewing
You’re an idea
Just one idea
Of what one person on earth could be doing

And what animal doesn’t love
Going out to chase wonder?
Only to learn of the lightning
just before there is thunder?

Look above you- it’s raining
Look around- there’s a flood
Who can say when it started,
but now the ghost is in our blood

We can only move forward
Only turn back for a time
Now the only sacred space left
In the world
Is our mind

And it’s running away with itself and the others
Like the wind through the trees-
Phantom sisters and brothers
Have gone the way of the bees
And the birds and the lovers

Yes they’ve all been drawn and quartered
A million horses left the track
The future will take your mind off of itself-
So I suggest you start stealing it back

For our time here, like the twilight
Is precious and fading
And while there’s certainly nothing new under the sun-
Under the moon, there is waiting

Signed-
Sincerely,

Future Self
Good day and good luck and good bye

P.S.
Oh that’s right,
I nearly forgot-
Everyone in the future says H

your (character’s) state.

From Erin Brown Conroy’s Blog for Entrepreneurs and Creatives

Focus, Create, Repeat *Thup

Well. I’m letting you (and me) off the hook.
This isn’t about our personal character. (You know, the interior part of us, the part where integrity sits.)

And I’m not going to ask you where you’re from — your physical geography — the point on the map where you lay your head at night (as in the state of Michigan, where I live in the US, called “the mitten state” because it looks like a mitten).
MichiganThis is about your story — your characters in that story.
Their personal, emotional states.
As in how we feel at any given moment.
(Emotions.)
(Feelings.)

Oh — and if you’re not a writer — keep reading, because
there’s something important here…
(it all makes sense when you read to the end).

There’s a not-so-secret secret to help you create compelling characters (and a compelling plot line, too).

(You ready?)

TRUTH:
State doesn’t come from outside influences
(what people say or…

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What is Modern Medicine?